Jessica Poling

2014年4月,居民的密歇根州的弗林特市,noticed that something was wrong with their water. Residents of the predominantly Black city reported discolored, putrid water that produced skin rashes and even hair loss. While city officials insisted that residents had nothing to be concerned about, further testing revealed high levels of lead and bacteria, the effects of which we will see for generations to come. Flint, Michigan, reignited a national conversation about the relationship between our physical environment, race, and social (dis)ability in the United States. These themes will be central to this yearlong lecture, which investigate several questions: What is the relationship between the physical environment and our bodies? How does environmental policy affect and produce social disabilities? How do built environments shape experiences of disabilities? We will discuss these questions using both historical and contemporary lenses. Our analysis begins with an exploration of the United States’ history of imperialism, segregation, and redlining to investigate how these endeavors have shaped its natural and built environment. We will then examine how the ghosts of these histories shape contemporary environmental policies and to what degree this legacy has produced different forms of social disability. Throughout these discussions, we will attend to several themes, including how racial hierarchies shape environmental injustice, how our built environments both produce and shape experiences of marginalization, and how those experiences are addressed by communities of color and environmental justice movements. Throughout the year, group conferences will help students build and strengthen methodological skills. In the fall, students are expected to submit a research proposal, including a topic related to an environmental issue of interest, corresponding research questions, and a review of relevant literature. In the spring, students will use their proposals to build a research portfolio that empirically and theoretically explores their topic. Portfolios should include an analysis of descriptive statistics, qualitative data of the student’s choosing, and an essay connecting findings to the lecture’s theoretical discussions.

用美国艺术家莎拉的评论,“伟大的protests are great art works,” as its inspiration, this seminar explores the relationship between art, collective ideas, and social change within the context of social movements. We begin by discussing the relationship between aesthetics and the social sciences, focusing on a sociological notion of art as a collective and inherently social process. Our study includes the work of social theorists Antonio Gramsci, Pierre Bourdieu, and Theodor Adorno, whose works not only illuminate how public culture communicates collective ideas but also how the latter is imbricated with existing power structures and social hierarchies. These critical frameworks will help us investigate the modern art world, exploring how artistic institutions and movements are sites that both perpetuate and resist authoritative ideologies. In the second half of the semester, students will use these frameworks to explore the role of culture and art within collective social movements. We will investigate several questions, including: What defines a social movement and what social conditions produce social movements? How are art and aesthetics used within social movements to communicate ideas and strengthen communities? In what ways do movements deploy art as a form of social resistance or authority? Our discussions will particularly attend to grassroots movements within historically marginalized communities. Throughout the semester, students will also learn about the benefits of visual methodologies and how social scholars use them to understand collective culture and social change. For conference, students will select a specific social movement, exploring how art is deployed within the movement for collective resistance or control. Possible topics include (but are not limited to) critical analysis of an artistic institution, comparative analysis of how different contexts of resistance deploy shared artistic mediums, or the use of art within a given movement over time. While class discussions will primarily focus on the United States, students are also invited to explore the relationship between art and social movements in other social locations.

How are bodies produced in the contemporary world? To what degree are our bodies truly our own? Using Michel Foucault’s term “biopower” and his related work as its point of departure, this course will address the above questions as well as others related to the body in order to analyze and better understand how modern social institutions and relations regulate and attempt to control our bodies. Our examination and analysis will include the various modalities through which power is enacted at the macro level—including, for example, state surveillance, violence, and policy formation. We will also explore the relation between such forces and micro-level, everyday experiences throughout, deploying the concept of “embodiment” to understand how social power not only acts upon us but also becomes internalized within our very beings. This framework will help us better understand how social power is carried through the body and shapes our physicality, as well as the ways in which we move through the social world and interact with each other. Our analysis will enable us to examine biopower more critically with respect to constructions and interpretations of sex/gender, race, class, and sexuality at multiple social scales. For conference, students are expected to select a social context of their preference through which to examine the relationship between biopolitical forces and the embodied experiences of the individual(s). Students might also explore strategies of resistance—both individual and collective—to establish bodily autonomy and resist domination. In addition to social scientific studies, students may deploy ethnographic research, media analysis, and/or turn to personal (auto)biographies as bases of their research and analysis.

2014年4月,居民的密歇根州的弗林特市,noticed something was wrong with their water. Residents of the predominantly Black city reported discolored, putrid water that produced skin rashes and even hair loss. While city officials insisted that residents had nothing to be concerned about, further testing revealed high levels of lead and bacteria, the effects of which we will see for generations to come. Flint, Michigan, reignited a national conversation about the relationship of our physical environment, race, and social (dis)ability in the United States. These themes will be central to this yearlong lecture, which investigates several questions: What is the relationship between the physical environment and our bodies? How does environmental policy affect and produce social disabilities? How do built environments shape experiences of disabilities? We will discuss these questions using both historical and contemporary lenses. Our analysis begins with an exploration of the United States’ history of imperialism, segregation, and redlining to investigate how these endeavors have shaped its natural and built environment. We will then examine how the ghosts of these histories shape contemporary environmental policies and to what degree this legacy has produced different forms of social disability. Throughout these discussions, we will attend to several themes, including: how racial hierarchies shape environmental injustice, how our built environments both produce and shape experiences of marginalization, and how those experiences are addressed by communities of color and environmental justice movements. Throughout the year, group conferences will help students build and strengthen methodological skills. In the fall, students are expected to submit a research proposal, including: a topic related to an environmental issue of interest, corresponding research questions, and a review of relevant literature. In the spring, students will use their proposals to build a research portfolio that empirically and theoretically explores their topic. Portfolios should include an analysis of descriptive statistics, qualitative data of the student’s choosing, and an essay connecting findings to the lecture’s theoretical discussions.

用美国艺术家莎拉的评论,“伟大的protests are great art works,” as its inspiration, this seminar explores the relationship between art, collective ideas, and social change within the context of social movements. We begin by discussing the relationship between aesthetics and the social sciences, focusing on a sociological notion of art as a collective and inherently social process. Our study includes the work of social theorists Antonio Gramsci, Pierre Bourdieu, and Theodor Adorno, whose works not only illuminate how public culture communicates collective ideas but also how the latter is imbricated with existing power structures and social hierarchies. These critical frameworks will help us investigate the modern art world, exploring how artistic institutions and movements are sites that both perpetuate and resist authoritative ideologies. In the second half of the semester, students will use these frameworks to explore the role of culture and art within collective social movements. We will investigate several questions, including: What defines a social movement and what social conditions produce social movements? How are art and aesthetics used within social movements to communicate ideas and strengthen communities? In what ways do movements deploy art as a form of social resistance or authority? Our discussions will particularly attend to grassroots movements within historically marginalized communities. Throughout the semester, students will also learn about the benefits of visual methodologies and how social scholars use them to understand collective culture and social change. For conference, students will select a specific social movement, exploring how art is deployed within the movement for collective resistance or control. Possible topics include (but are not limited to) critical analysis of an artistic institution, comparative analysis of how different contexts of resistance deploy shared artistic mediums, or the use of art within a given movement over time. While class discussions will primarily focus on the United States, students are also invited to explore the relationship between art and social movements in other social locations.